Urgent messages and dying words

“Great theology is always a kind of giant and intricate poetry, like epic or saga. It is written for those who know the tale already, the urgent messages and the dying words, and who attend to its retelling with a special alertness, because the story has a claim on them and they on it. Theology is also close to the spoken voice. It evokes sermon, sacrament, and liturgy, and, of course, Scripture itself, with all its echoes of song and legend and prayer. It earns its authority by winning assent and recognition, in the manner of poetry but with the difference that the assent seems to be to ultimate truth, however oblique or fragmentary the suggestion of it. Theology is written for the small community of those who would think of reading it. So it need not define freighted words like ‘faith’ or ‘grace’ but may instead reveal what they contain. To the degree that it does them any justice, its community of readers will say yes, enjoying the insight as their own and affirming it in that way…Theology is never finally anything but theology, words about God, proceeding from the assumptions that God exists and that we know about him in a way that allows us to speak about him.”

-Marilynne Robinson in “Dietrich Bonhoeffer” in The Death of Adam: Essays on Modern Thought, (Picador, 1998), p. 117

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